Karl Lindh – Bortom E4's Horrisont [LP] Sound Art / Sound Poetry The stereo and computer were

The stereo and computer were both left undisturbed for an afternoon

Henry magnifies the film's intoxicated

unhurried pieces that inhabit a unique sound world characterized by wheezing

painted with a wonderfully peculiar palette -- keyboards

Karl Lindh – Bortom E4's Horrisont [LP] Sound Art / Sound Poetry The stereo and computer were"Smudgy existential electronics and pristine minimal jazz with a furtive, fugitive feel. It's a creepy, brown carpeted, Cold War ish mise en scene, painted with a wonderfully peculiar palette keyboards, double bass, vibraphone and rigid drum machine tick n tock, a perfect marriage of fluency and stiffness, of all pervading paranoia and carefully portioned camp (Kraftwerk in The Red Room?). Romance too "Djurgardsgatans Ogonblick" and "Jag. Mitt Kaffee"